Dr. Claudia Schattmann

• Literatur von der Romantik bis zur Gegenwart, insbesondere Viktorianischer Roman, Lyrik des 20. Jahrhunderts und irische Literatur, sowie Literatur und Raum.
• Übersetzung Englisch-Deutsch
• Im MA Literarisches Übersetzen: Studienberatung, Koordination, Organisation des Studienprogramms, des Prüfungsbetriebs und des Eignungsfeststellungsverfahrens, Vorsitzende der Eignungskommission, Anerkennung von Studienleistungen aus dem Erststudium, Mittelverwaltung, Networking
• 2016-19 Vertreterin des akademischen Mittelbaus Anglistik in der Departmentleitung

WiSe 25/26

• Einführung in die englische Literaturwissenschaft
• Masterseminar Übersetzungen englischer Essayistik

SoSe 25

• Reading Source and/through Answer: Response Poems (Lektürekurs)
• BA Kolloquium
• Übersetzungskritik (Masterseminar)
• Sprachmittlung 2 (Übung Sprachpraxis Lehramt)

Zuvor seit 2007, u.a.:

Literaturwissenschaft:

• Analysing Modern and Contemporary Poetry (Übung)
• Reading and Practicing Literary Theory (Methodenübung)
• Late Victorian Literature: 1880-1900 (Seminar)
• Poetic Forms and Functions (Methodenübung)
• Reading Irish Poetry from Yeats to Morrissey (Lektürekurs)
• Raum und Erzählung: Theoretische Modelle und Praktische Analysen (Methodenübung)
• Victorian Poetry (Proseminar)
• Reading Twentieth Century Drama: Bernard Shaw to Caryl Churchill (Lektürekurs)
• "Belonging without Belonging": Colm Tóibín's Fiction (Seminar)
• "Shifting Territories": Nature in the Poetry of Hughes, Heaney, Longley and Oswald (Lektürekurs)
• Novellas from Joseph Conrad to Graham Swift (Lektürekurs)
• Women Writers: Late Victorian to Modernist (Seminar)
• Reading Romantic Poetry (Lektürekurs)
• Analysing Narrative Texts (Methodenübung)
• BA-Kolloquium
• Poetry in English since WW II (PS/Ü)
• Charles Dickens: Texts, Contexts, Theories (Seminar)
• Literature around 1900 (Seminar)
• British and American Short Stories (Lektürekurs)
• "Memory’s Fragile Power": Erinnerungsinszenierungen von Wordsworth bis Barnes (Seminar)
• Contemporary Irish Poetry (PS, Fortgeschrittenenseminar)
• "Kicking Daffodils": Modern Women Poets (Seminar)
• The Novels of the Brontës: Influences, Impacts and Innovations (PS)
• War in Contemporary British and Irish Fiction (Seminar)
• Twentieth Century Poetry (Lektürekurs)
• The Victorian Novel: Dickens, Gaskell, Thackeray (PS)
• British and Irish Poetry since 1950 (PS)
• Nineteenth Century Women Writers (PS)
• Self and Society in the Victorian Novel (PS)
• Introduction to the Novel (Ü)
• Auffrischung literaturwissenschaftlicher Grundlagen (Workshops)
• Literaturwissenschaftlicher Einführungskurs Anglistik (regelmäßig)

Übersetzung:

• Übersetzungen englischsprachiger Essayistik (Masterseminar)
• Übersetzungskritik (Masterseminar)
• Räume und/in Übersetzung (Masterseminar)
• Staatsexamensvorbereitung: Übersetzung E-D
• Sprachmittlung 1 / Übersetzung E-D Stage 2
• Sprachmittlung 2 / Übersetzung E-D Stage 3

Lyrik

• Between Worlds: Motherhood, Autonomy and Renewal in Modern Poetic Reworkings of the Persephone Myth
• The Modern Elegy: A Multifaceted Expression of Mourning from Owen to Heaney
• The Portrayal of the Process of Aging in Eavan Boland's Motherhood Poetry
• 19th Century Female Poets in Dialogue with Shakespeare: Elizabeth Barrett Browning, George Eliot, Emily Dickinson
• War and the Pity of War: Memory and Trauma of the Great War in Wilfred Owen’s and Vera Brittain’s Poems
• "Reasserting her Strength in the Unlikeliest of Places" - An Analysis of Female Characters in Keats, Browning and Rossetti
• Feminist Readings of Christina Rossetti's "Goblin Market" and Robert Browning's "Porphyria's Lover" and "My Last Duchess"
• Place in Michael Longley’s and Derek Mahon’s Poetry
• “I want you and you are not there”: Exploring Female Desire in Dickinson, Duffy and Rossetti
• Lust und Liebe in lesbischer Lyrik – Carol Ann Duffy und Adrienne Rich im Vergleich
• Gender, Identity and Nation in Eavan Boland’s and Seamus Heaney’s Poetry
• Violence in the Poetry of Seamus Heaney and Michael Longley
• The Relationship between Family and Nature in Seamus Heaney’s Poetry

Narrative Texte

• Art, Artists and Expression of Liminality in The Tenant of Wildfell Hall, The Picture of Dorian Gray and Still Life
• A Feminist Reading of Elizabeth Gaskell's Cranford
• The Politics of Affection and Indifference: The Representation of (Gendered) Power Dynamics in Sally Rooney's Short Fiction
• The Queen of Crime: Agatha Christie's Women and Detective Fiction
• The Female Detective: Exploring Agatha Christie's Miss Marple and Meg Gardiner's Caitlin Hendrix
• Victorian Madness: The Poetrayal of Dramatization of Mental Health in Lady Audley's Secret
• Gender and Space in Virginia Woolf's Orlando in Comparison to Jeanette Winterson's Written on the Body
• Effects and Functions of the Gothic Elements in Emily Bronte's Wuthering Heights
• A Postcolonial Reading of Jane Eyre and Wuthering Heights
• Depiction of Class in H.G. Wells' Work: Contrasting The Time Machine and Men Like Gods
• An Analysis of Bourdieu ́s Social Field in China Miéville ́s Perdido Street Station
• Monstrosity in Mary Shelley's Frankenstein and Nick Cave's And the Ass saw the Angel
• Split Identity in R.L. Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and E. Brontë'ʼs Wuthering Heights
• Pathways to Paralysis: Trauma Theory and James Joyce’s Dubliners
• The Threat of the Domestic Sphere in Modern and Contemporary British Spy Fiction
• Making the Personal Political: A Lefebvrian Reading of Fictional Space in Zadie Smith's On Beauty and NW
• The Rise and Fall of the Scientific Narrative - Nii Parkes' Postcolonial Take on Detective Fiction
• Swiss Landscape and its Function in 19th Century Fiction: Arthur Conan Doyle's "The Final Problem", Mary Shelley's Frankenstein and Henry James' Daisy Miller
• Madness in Mary Shelley’s Frankenstein and Samuel Taylor Coleridge’s "The Rime of the Ancient Mariner"
• Breaking Boundaries – Mary Wollstonecraft and her Vindications
• Concepts of Space in James Joyce’s Dubliners
• “I am a Tabula Rasa”: Androgyny in Virginia Woolf’s Orlando, Angela Carter’s The Passion of New Eve, and Jeanette Winterson’s Written on the Body
• Thicker than Water: Examining Family Identity in Ian McEwan’s The Cement Gardenand Colm Toibin’s “A Long Winter”
• Daughters of Ireland: Departure and Return in Claire Keegan's Foster, Colm Tóibín's Brooklyn and John McGahern's Amongst Women
• Systems, Ideology and History in Ian McEwan's Sweet Tooth, The Innocent and Black Dogs
• Old Age and Degeneration in Oscar Wilde's The Picture of Dorian Gray
• The Victorian Governess in Jane Eyre and Agnes Grey
• Out of the Wasteland: Virginia Woolf and the Great War
• More than flower beds, raindrops and snails: Ecocritical Readings of Virginia Woolf’s Fiction
• “Wandering with the anchor lifted”: Heterotopias in Colm Toibin’s Nora Webster and Brooklyn
• Displays of Iris Murdoch’s Moral and Aesthetic Philosophy in The Fire and the Sunand The Sea, The Sea
• Concepts of Space in Dickens’ Oliver Twist
• Social Class in Emily Brontë’s Wuthering Heights
• George Orwell’s Burmese Days in the Light of Orientalism
• The Well of Paying Guests: Lesbian Introspection in Hall’s The Well of Loneliness and Waters’ The Paying Guests
• A Comparison of Jane Eyre and Rebecca: Gothic Elements, Religious Symbolism and Female Independence
• Die viktorianische Männlichkeit – Analyse und Vergleich der Darstellung in Jane Eyreund The Tenant of Wildfell Hall unter Berücksichtigung der biografischen Erfahrungen der Autorinnen
• Women Working in the Victorian Age and the Lack of Work: An Analysis of Jane Eyre, Wuthering Heights and North and South

• 2015-16 Erwerb des Zertifikats "Systemische Beratung für Studienberaterinnen und -berater der LMU" (istob-Management-Akademie in Zusammenarbeit mit Ref. II.6. der LMU)
• 2019 Erwerb des Zertifikats "Teaching Gifted and Talented Students" (ICEP Europe)